Doç. Dr. FIRAT KARADAŞ

Yayın Ağı

Makaleler 12

1. The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy

KARADAŞ F.

Critique - Studies in Contemporary Fiction , cilt.63, sa.3, ss.357-370, 2022 (AHCI, Scopus)

2. Femininty as Genotext in the Works of 19th Century Female Writers

KARADAŞ F.

KADIN / WOMAN 2000:KADIN ARASTIRMALARI DERGISI - JOURNAL FOR WOMEN STUDIES , cilt.22, sa.1, ss.181-185, 2021 (TRDizin)

3. MULTIVOCALITY, STORYTELLING AND THE DISRUPTIVE VOICE OF FEMININITY IN LESLIE MARMON SILKO’S CEREMONY

KARADAS F.

Uluslararası Dil, Edebiyat ve Kültür Araştırmaları Dergisi , cilt.4, sa.1, ss.116-124, 2021 (TRDizin)

4. Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep?

KARADAS F.

Journal of American Studies of Turkey , cilt.1, sa.55, ss.145-162, 2021 (TRDizin)

5. VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA

KARADAŞ F.

Mustafa Kemal Üniversitesi Sosyal Bilimler Dergisi , cilt.18, sa.47, ss.271-281, 2021 (Hakemli Dergi)

6. THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH

KARADAS F.

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi , cilt.0, sa.48, ss.121-135, 2020 (ESCI, TRDizin)

7. Weaving and the Tarot as Apollonian Repressive Mechanisms in Tennyson’s “The Lady of Shalott” and Carter’s “The Lady of the House of Love”

KARADAS F.

Söylem Filoloji Dergisi , cilt.5, sa.1, ss.160-175, 2020 (TRDizin)

8. Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigâr” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

KARADAS F.

Gaziantep Üniversitesi Sosyal Bilimler Dergisi , cilt.19, sa.2, ss.385-402, 2020 (TRDizin)

9. Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigar” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

KARADAŞ F.

Gaziantep Üniversitesi Sosyal Bilimler Dergisi , cilt.19, sa.2, ss.385-402, 2020 (TRDizin)

10. The collective Phallic Gaze, the evil eye and the Serpent in John Keats' Lamia and Yashar Kemal's to Crush the Serpent

KARADAŞ F.

Folklor/Edebiyat , cilt.26, sa.102, ss.347-359, 2020 (Scopus, TRDizin)

11. Enlightenment, Utopia and Encarnalization of Swift's Houyhnhnms in Carter's Desire Machines of Doctor Hoffman

KARADAŞ F.

ÇANKAYA UNIVERSITY JOURNAL OF HUMANITIES AND SOCIAL SCIENCES (CUJHSS) , cilt.13, sa.2, ss.141-154, 2019 (TRDizin)

12. The Monstrous Power of Speech in EdgarAllan Poe's "The Cask of Amontillado"

KARADAŞ F.

INTERACTIONS: AEGEAN JOURNAL OF ENGLISH AND AMERICAN STUDIES/EGE INGILIZ VE AMERIKAN INCELEMELERI DERGISI , cilt.16, sa.1, ss.99-108, 2007 (Hakemli Dergi)

Hakemli Bilimsel Toplantılarda Yayımlanmış Bildiriler 5

1. Autobiography as Self-Annihilation in John Barth’s Lost in the Funhouse

KARADAŞ F.

International Modernism and Postmodernism Studies Conference 2021, Erzurum (Uzaktan), Türkiye, 02 Eylül 2021, (Özet Bildiri)

2. Genetic Research Carried to Extremes in the Pre-Apocalyptic Dystopia of H. G. Wells’ Island of Doctor Moreau

KARADAŞ F.

3 . U l u s l a r a r a s ı R U M E L İ [ D İ L , E D E B İ Y A T V E Ç E V İ R İ ] S E M P O Z Y U M U, İstanbul, Türkiye, 26 Haziran 2021, (Özet Bildiri)

3. HETEROTOPIC SPACE IN A. S. BYATT’S THE DJINN IN THE NIGHTINGALE’S EYE

KARADAŞ F.

2. ULUSLARARASI KÜLTÜR, SANAT ve EDEBİYAT KONGRESİ, Ankara, Türkiye, 02 Mayıs 2021, ss.4-9, (Tam Metin Bildiri)

4. Dialogizing Authority in Edgar Allan Poe’s The Cask of Amontillado and Namik Kemal’s Intibah

KARADAŞ F.

The 2nd International Interdisciplinary Conference on Perspectives and Limits of Dialogizm in Mikhail Bakhtin, Stockholm, İsveç, 03 Haziran 2009, (Özet Bildiri)

5. Yaşar Kemal'in Üç Romanında Düş-Gerçek İlişkisi ve Mitos Yaratımı

KARADAŞ F.

II. Uluslararası Karşılaştırmalı Edebiyatbilim Kongresi. Sakarya, Sakarya Üniversitesi, 2006, Sakarya, Türkiye, 15 Ekim 2006, ss.256-264, (Tam Metin Bildiri)

Kitaplar 3

Metrikler

Doç. Dr. FIRAT KARADAŞ

Yayınlar & Eserler

1. The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy

2. Femininty as Genotext in the Works of 19th Century Female Writers

3. MULTIVOCALITY, STORYTELLING AND THE DISRUPTIVE VOICE OF FEMININITY IN LESLIE MARMON SILKO’S CEREMONY

4. Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep?

5. VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA

6. THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH

7. Weaving and the Tarot as Apollonian Repressive Mechanisms in Tennyson’s “The Lady of Shalott” and Carter’s “The Lady of the House of Love”

8. Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigâr” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

9. Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigar” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

10. The collective Phallic Gaze, the evil eye and the Serpent in John Keats' Lamia and Yashar Kemal's to Crush the Serpent

11. Enlightenment, Utopia and Encarnalization of Swift's Houyhnhnms in Carter's Desire Machines of Doctor Hoffman

12. The Monstrous Power of Speech in EdgarAllan Poe's "The Cask of Amontillado"

1. Autobiography as Self-Annihilation in John Barth’s Lost in the Funhouse

2. Genetic Research Carried to Extremes in the Pre-Apocalyptic Dystopia of H. G. Wells’ Island of Doctor Moreau

3. HETEROTOPIC SPACE IN A. S. BYATT’S THE DJINN IN THE NIGHTINGALE’S EYE

4. Dialogizing Authority in Edgar Allan Poe’s The Cask of Amontillado and Namik Kemal’s Intibah

5. Yaşar Kemal'in Üç Romanında Düş-Gerçek İlişkisi ve Mitos Yaratımı

1. Historicity, Narrative and the Construction of Monstrosity in John Gardner’s Grendel

2. Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

3. The Problem of Miniaturist Art as Reflection of Reality in Orhan Pamuk's My Name is Red

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Yayın (Scopus)

Atıf (Scopus)

H-İndeks (Scopus)

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