Doç. Dr. FIRAT KARADAŞ

Yayın Ağı

SCI, SSCI ve AHCI İndekslerine Giren Dergilerde Yayınlanan Makaleler

The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy

KARADAŞ F.

Critique - Studies in Contemporary Fiction , cilt.63, sa.3, ss.357-370, 2022 (AHCI)

Diğer Dergilerde Yayınlanan Makaleler

Femininty as Genotext in the Works of 19th Century Female Writers

KARADAŞ F.

KADIN / WOMAN 2000:KADIN ARASTIRMALARI DERGISI - JOURNAL FOR WOMEN STUDIES , cilt.22, sa.1, ss.181-185, 2021 (Hakemli Dergi)

MULTIVOCALITY, STORYTELLING AND THE DISRUPTIVE VOICE OF FEMININITY IN LESLIE MARMON SILKO’S CEREMONY

KARADAS F.

Uluslararası Dil, Edebiyat ve Kültür Araştırmaları Dergisi , cilt.4, sa.1, ss.116-124, 2021 (Hakemli Dergi)

Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep?

KARADAS F.

Journal of American Studies of Turkey , cilt.1, sa.55, ss.145-162, 2021 (Hakemli Dergi)

VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA

KARADAŞ F.

Mustafa Kemal Üniversitesi Sosyal Bilimler Dergisi , cilt.18, sa.47, ss.271-281, 2021 (Hakemli Dergi)

Weaving and the Tarot as Apollonian Repressive Mechanisms in Tennyson’s “The Lady of Shalott” and Carter’s “The Lady of the House of Love”

KARADAS F.

Söylem Filoloji Dergisi , cilt.5, sa.1, ss.160-175, 2020 (Hakemli Dergi)

THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH

KARADAS F.

Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi , cilt.0, sa.48, ss.121-135, 2020 (ESCI)

Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigâr” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

KARADAS F.

Gaziantep Üniversitesi Sosyal Bilimler Dergisi , cilt.19, sa.2, ss.385-402, 2020 (Hakemli Dergi)

Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigar” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

KARADAŞ F.

Gaziantep Üniversitesi Sosyal Bilimler Dergisi , cilt.19, sa.2, ss.385-402, 2020 (Hakemli Dergi)

The collective Phallic Gaze, the evil eye and the Serpent in John Keats' Lamia and Yashar Kemal's to Crush the Serpent

KARADAŞ F.

Folklor/Edebiyat , cilt.26, sa.102, ss.347-359, 2020 (Scopus)

Enlightenment, Utopia and Encarnalization of Swift's Houyhnhnms in Carter's Desire Machines of Doctor Hoffman

KARADAŞ F.

ÇANKAYA UNIVERSITY JOURNAL OF HUMANITIES AND SOCIAL SCIENCES (CUJHSS) , cilt.13, sa.2, ss.141-154, 2019 (Hakemli Dergi)

The Monstrous Power of Speech in EdgarAllan Poe's "The Cask of Amontillado"

KARADAŞ F.

INTERACTIONS: AEGEAN JOURNAL OF ENGLISH AND AMERICAN STUDIES/EGE INGILIZ VE AMERIKAN INCELEMELERI DERGISI , cilt.16, sa.1, ss.99-108, 2007 (Hakemli Dergi)

Hakemli Kongre / Sempozyum Bildiri Kitaplarında Yer Alan Yayınlar

Autobiography as Self-Annihilation in John Barth’s Lost in the Funhouse

KARADAŞ F.

International Modernism and Postmodernism Studies Conference 2021, Erzurum (Uzaktan), Türkiye, 02 Eylül 2021

Genetic Research Carried to Extremes in the Pre-Apocalyptic Dystopia of H. G. Wells’ Island of Doctor Moreau

KARADAŞ F.

3 . U l u s l a r a r a s ı R U M E L İ [ D İ L , E D E B İ Y A T V E Ç E V İ R İ ] S E M P O Z Y U M U, İstanbul, Türkiye, 26 Haziran 2021

HETEROTOPIC SPACE IN A. S. BYATT’S THE DJINN IN THE NIGHTINGALE’S EYE

KARADAŞ F.

2. ULUSLARARASI KÜLTÜR, SANAT ve EDEBİYAT KONGRESİ, Ankara, Türkiye, 02 Mayıs 2021, ss.4-9

Dialogizing Authority in Edgar Allan Poe’s The Cask of Amontillado and Namik Kemal’s Intibah

KARADAŞ F.

The 2nd International Interdisciplinary Conference on Perspectives and Limits of Dialogizm in Mikhail Bakhtin, Stockholm, İsveç, 03 Haziran 2009

Yaşar Kemal'in Üç Romanında Düş-Gerçek İlişkisi ve Mitos Yaratımı

KARADAŞ F.

II. Uluslararası Karşılaştırmalı Edebiyatbilim Kongresi. Sakarya, Sakarya Üniversitesi, 2006, Sakarya, Türkiye, 15 Ekim 2006, ss.256-264

Kitap & Kitap Bölümleri

Metrikler

Doç. Dr. FIRAT KARADAŞ

Yayınlar & Eserler

The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy

Femininty as Genotext in the Works of 19th Century Female Writers

MULTIVOCALITY, STORYTELLING AND THE DISRUPTIVE VOICE OF FEMININITY IN LESLIE MARMON SILKO’S CEREMONY

Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep?

VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA

Weaving and the Tarot as Apollonian Repressive Mechanisms in Tennyson’s “The Lady of Shalott” and Carter’s “The Lady of the House of Love”

THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH

Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigâr” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigar” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri

The collective Phallic Gaze, the evil eye and the Serpent in John Keats' Lamia and Yashar Kemal's to Crush the Serpent

Enlightenment, Utopia and Encarnalization of Swift's Houyhnhnms in Carter's Desire Machines of Doctor Hoffman

The Monstrous Power of Speech in EdgarAllan Poe's "The Cask of Amontillado"

Autobiography as Self-Annihilation in John Barth’s Lost in the Funhouse

Genetic Research Carried to Extremes in the Pre-Apocalyptic Dystopia of H. G. Wells’ Island of Doctor Moreau

HETEROTOPIC SPACE IN A. S. BYATT’S THE DJINN IN THE NIGHTINGALE’S EYE

Dialogizing Authority in Edgar Allan Poe’s The Cask of Amontillado and Namik Kemal’s Intibah

Yaşar Kemal'in Üç Romanında Düş-Gerçek İlişkisi ve Mitos Yaratımı

Historicity, Narrative and the Construction of Monstrosity in John Gardner’s Grendel

Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

The Problem of Miniaturist Art as Reflection of Reality in Orhan Pamuk's My Name is Red

Yayın

Atıf (Scopus)

H-İndeks (Scopus)

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