Dr. Öğr. Üyesi ERKİN KIRYAMAN

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Diğer Dergilerde Yayınlanan Makaleler

“LYING ON THE FLOOR WAS A DEAD MAN”:AESTHETIC EXPERIENCE AND AESTHETIC DISTANCE IN OSCAR WILDE’S THE PICTURE OF DORIAN GRAY

KIRYAMAN E.

International Journal of Interdisciplinary and Intercultural Art , cilt.4, sa.7, ss.63-80, 2019 (Hakemli Dergi)

Representation of Traumatic Memory in the Narrative Traumatic Pathologies in Virginia Woolf s Mrs Dalloway

KIRYAMAN E.

The Lincoln Humanities Journal , sa.3, ss.109-116, 2015 (Hakemli Dergi)

Hakemli Kongre / Sempozyum Bildiri Kitaplarında Yer Alan Yayınlar

The Yörük on the Road: Nature, Culture, and Women in "Tribal Wives, Turkey" and "Hey Geçi"

KIRYAMAN E.

Ege University 17th International Cultural Studies Symposium, İzmir, Türkiye, 8 - 10 Mayıs 2019

"What an independent little lady you are!": Disruption of the Stereotype of Femininity in Beatrice Harraden’s "A Bird of Passage"

KIRYAMAN E.

DEKAUM 2nd Women Congress, İzmir, Türkiye, 4 - 05 Ekim 2018

"Lying On The Floor Was A Dead Man": Aesthetic Distance in The Picture Of Dorian Gray

KIRYAMAN E.

2nd International Symposium and Exhibition on Arts and Aesthetics - 2. Uluslararası Sanat ve Estetik Sempozyumu, Elazığ, Türkiye, 19 - 21 Nisan 2018

Shadows of Trauma in D. H. Lawrence’s "War Films"

KIRYAMAN E.

BAKEA 5th International Western Cultural and Literary Studies Symposium, Sivas, Türkiye, 4 - 06 Ekim 2017

Migrating into the Traumatic Past, Meeting at Present: Meanings of Martyrs Memorials in Turkey in Collective Memory

KIRYAMAN E.

Ege University 16th International Cultural Studies Symposium, İzmir, Türkiye, 10 - 12 Mayıs 2017

Body, Language and Narrative in Margaret Atwood's The Penelopiad

KIRYAMAN E.

Second European Languages and Cultures Research and Application Centre (ADİKAM) and EKAM Conference: Languages, Cultures and Gender, İzmir, Türkiye, 11 - 13 Mayıs 2016

The Image of the Fallen Woman in Thomas Hardy’s Tess of the D’Urbervilles and Ahmet Midhat Efendi’s Just 17 (Henüz 17 Yaşında)

KIRYAMAN E.

10th International IDEA Conference: “Studies in English.”, İstanbul, Türkiye, 14 - 16 Nisan 2016

Myth of the Nation: Myth Making as a National Discourse in Erendiz Atasü's The Other Side of the Mountain

KIRYAMAN E.

First European Languages and Cultures Research andApplication Centre (ADİKAM) Conference: Mythmaking, Ege University, İzmir, Türkiye, 22 - 24 Ekim 2014

Clash of Memories in Mrs Dalloway: What does it Mean to Remember?

KIRYAMAN E.

Memory: Forgetting and Creating Symposium, Gdansk University, Gdansk, Polonya, 11 - 12 Eylül 2014

Tragic Truth Belated, Tragic Realm Distorted: Dissident Elements in/of Authority in Shakespeare's King Lear

KIRYAMAN E.

Sixth British Shakespeare Association Conference:3 Shakespeare: Text, Authority, Power, Stirling University, Stirling, Kanada, 3 - 06 Temmuz 2014

Kitap & Kitap Bölümleri

Ekphrasis and the Illusion of Self in Oscar Wilde’s The Picture of Dorian Gray

KIRYAMAN E.

Literature and Image in the Long Nineteenth Century: Speaking Picture and Silent Text, Alyal Amina, Editör, Cambridge Scholars Publishing, Newcastle upon Tyne, ss.85-96, 2023

Roald Dahl’ın Deri Adlı Öyküsünde Resim, Beden, Yazı

KIRYAMAN E.

Disiplinlerarası Bir Bakışla Sanat Yazıları, Ulaş Bager Aldemir, Editör, Pinhan Yayıncılık, ss.125-135, 2020

The Land Ethic and Human-Sea Relationsin Yashar Kemal’s The Seacrossed Fisherman and Sait Faik Abasıyanık’s “Sinağrit Baba” and “The Death of the Dülger”

KIRYAMAN E.

The Sea in the Literary Imagination: Global Perspectives, Robertson Ben P., Kobeleva Ekaterina V., Thompson Shannon W., Weddle Katona D., Editör, Cambridge Scholars Publishing, Newcastle upon Tyne, ss.107-119, 2019

Metrikler

Dr. Öğr. Üyesi ERKİN KIRYAMAN

Yayınlar & Eserler

“LYING ON THE FLOOR WAS A DEAD MAN”:AESTHETIC EXPERIENCE AND AESTHETIC DISTANCE IN OSCAR WILDE’S THE PICTURE OF DORIAN GRAY

Representation of Traumatic Memory in the Narrative Traumatic Pathologies in Virginia Woolf s Mrs Dalloway

The Yörük on the Road: Nature, Culture, and Women in "Tribal Wives, Turkey" and "Hey Geçi"

"What an independent little lady you are!": Disruption of the Stereotype of Femininity in Beatrice Harraden’s "A Bird of Passage"

"Lying On The Floor Was A Dead Man": Aesthetic Distance in The Picture Of Dorian Gray

Shadows of Trauma in D. H. Lawrence’s "War Films"

Migrating into the Traumatic Past, Meeting at Present: Meanings of Martyrs Memorials in Turkey in Collective Memory

Body, Language and Narrative in Margaret Atwood's The Penelopiad

The Image of the Fallen Woman in Thomas Hardy’s Tess of the D’Urbervilles and Ahmet Midhat Efendi’s Just 17 (Henüz 17 Yaşında)

Myth of the Nation: Myth Making as a National Discourse in Erendiz Atasü's The Other Side of the Mountain

Clash of Memories in Mrs Dalloway: What does it Mean to Remember?

Tragic Truth Belated, Tragic Realm Distorted: Dissident Elements in/of Authority in Shakespeare's King Lear

Ekphrasis and the Illusion of Self in Oscar Wilde’s The Picture of Dorian Gray

Roald Dahl’ın Deri Adlı Öyküsünde Resim, Beden, Yazı

The Land Ethic and Human-Sea Relationsin Yashar Kemal’s The Seacrossed Fisherman and Sait Faik Abasıyanık’s “Sinağrit Baba” and “The Death of the Dülger”

Words will Never Hurt me: Standing Still at the Crossroads of Language, Culture, and Gender

”Now that I’m dead I know everything:” Body Politics in Margaret Atwood’s The Penelopiad

Myth of the Nation: Mythmaking as a National Discourse in Erendiz Atatüs's The Other Side of the Mountain

New Woman and Humour: Resistance against Humour in Diana of the Crossways and the Odd Women

Representaton of Traumatic Memory in the Narrative: Traumatic Pathologies in Virginia Woolf's Mrs Dalloway

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