in: Hatay Araştırmaları-VIII, Ahmet Gündüz,Ömer Faruk Kadan, Editor, Kriter, İstanbul, pp.213-244, 2025
The documentation of gravestones in Türkiye has
generally relied on surveys, while excavations within cemeteries and burial
grounds have remained rare. In surface research, it is not possible to
intervene physically in the soil layers or in the displaced stones. As a
result, the structural and formal features of tombs that are partially or fully
covered by soil or have been destroyed are often difficult to determine with
precision. The typology and terminology of tombs have been established under
these conditions based on studies conducted in a specific region or area over a
specific period of time. As research continues, however, new tomb types and
further variations of known forms continue to emerge.
While tombs and headstones are classified
individually, their mutual relations - spatial, structural and formal – also
produce distinctive combinations. Excavations are thus important not only for
identifying and documenting gravestones but also for defining them more
accurately and for enabling their reconstruction. Equally significant is the
documentation of tombs belonging to nomadic or semi-nomadic communities and to
rural populations. Although such examples are not detached from the main types
of Turkish gravestones and tombs, they display distinctive characteristics
shaped by the social and cultural structures of their communities and by the
practical challenges of obtaining material, technique and craftsmanship.
Studies focusing on this group have remained limited in Türkiye, and the first
excavation of this nature was carried out in Hatay. Since 2014, the “Rescue
Excavation and Cleaning Woks of Aktepe Turkmen Cemetery, Hatay Province, Hassa
District, Aktepe Quarter, Karapınar Location, Parcel No. 468” have been
conducted under the direction of the Hatay Archaeological Museum.
The subject of this paper is the exposure and
reconstruction of nine, pedestal-mounted chest-type tombs discovered in trench
C IV during the 2020 season. The aim of the study is to contribute these tomb
types, with their structural and formal feature, to the literature of art
history, and to provide a framework for future efforts of identification,
documentation, reconstruction and restoration in other damaged cemeteries of
similar character.
The majority of tombs in the cemetery consist
of oval or rectangular enclosures with simple framing; other forms are more
rarely attested. These could only be identified after removing fill layers,
sorting through heavily disturbed stone accumulations, and exposing in-situ
elements. At the beginning of the excavation, among the scattered stones some
examples stood out, including “L”, “U” and “T” forms. Notably, such stones were
found grouped within low mounds slightly elevated from the general ground level.
Excavations conducted in trench C III in 2019
revealed that these accumulations corresponded to the remains of chest-type
tombs arranged in a frame-like layout upon stepped pedestals that narrowed
upward. The massive monolithic blocks (sandukas)
had originally formed the uppermost level of these constructions, while
headstones (şahides) were set at both
ends; the present mounds resulted from the spread of the soil filling within
the chest structures. In trench C IV, tomb no. 6, with its partially preserved three-level
base, indicated a similar construction. Comparative material from the
surrounding region and nearby provinces was also taken into consideration.
Some of the stones were documented in situ,
while others were found displaced or intentionally removed. Stones around the
tombs were carefully numbered, separated, and the fill soil was removed to
expose partially preserved lower courses. These data were evaluated together,
and the tombs were reassembled.
The results demonstrate that in the nine
examples of trench C IV, a composite design was employed that combines elements
of the Turkish tomb tradition: chest-type constructions with open or covered
upper parts, massive monolithic sandukas, headstones, and stepped pedestals.
The structures were formed from numerous irregular stones of varying thickness,
size, and height, worked in a free manner, and roughly shaped and assembled in
situ. The chest interiors were filled with soil, and lime-based material was occasionally
used between courses as binding.
These examples may be interpreted as local
reinterpretations and adaptations of the stepped, open or cover-stone
chest-type tombs known in the Turkish gravestone tradition, created by nomadic
or semi-nomadic communities of rural Anatolia according to their material and
technical resources. Although the current data do not allow precise dating, it
may be suggested that the tombs belonged to individuals of relative economic
means, perhaps leaders or figures of authority within their communities.
Türkiye’de mezar
taşlarının incelenmesi genellikle yüzeyde yapılan çalışmalara dayanmaktadır.
Kısmen ya da tamamen toprak dolgusu altında kalan ve tahrip olan mezarların
yapısal ve biçimsel özelliklerini tam olarak belirlemek her zaman mümkün
olamamaktadır. Mezarlar ve şahideler tiplendirilir ve tanımlanırken bunların
birbiriyle ilişkileri, konum, yapısal ve biçimsel açıdan bağları da farklı
bileşimler ortaya koymaktadır. Bu bağlamda kazı çalışmaları, mezar taşlarının
yapısal ve biçimsel özelliklerinin doğru bir şekilde ortaya çıkarılması, onarım
ve restorasyonlarının gerçekleştirilmesi için önem arz etmektedir. “Hatay İli, Hassa İlçesi, Aktepe Mahallesi,
Karapınar Mevkii, 468 no’lu parselde bulunan Türkmen Mezarlığı Kurtarma Kazısı
ve Temizlik Çalışmaları”, Hatay Arkeoloji Müzesi başkanlığında, 2014 yılından
itibaren yürütülmektedir. C IV açmasında bulunan 9 adet mezarın
rekonstrüksiyonu, bu bildirinin konusunu oluşturmaktadır. Mezarların dokuzu de
sandık tipindedir ve birer kaide üzerinde oturmaktadır. Bunlardan üçü kapalı,
altısının üzeri açıktır. Kapalı mezarların en üst kademesinde ayrıca birer
masif sanduka ve iki yanında şahideler bulunmaktadır. Mezar yapısının tamamı,
kalınlık, boy, yükseklik ölçüleri ile yatay ve düşey konumlanma açısından
çoğunlukla birbirine uymayan, çok parçadan oluşan taşların serbest bir
anlayışla, yerinde tasarlanarak ve yontularak biçimlendirildiği ve bir araya
getirildiği anlaşılmaktadır. Mezarların tamamı yukarı doğru yükseldikçe en ve
boy ölçüleri daralan, kademeli bir yapı göstermektedir. Bunları şimdilik,
kademeli kaide üzerinde yükselen, şahideli, sandık tipi mezarlar olarak
tanımlıyoruz. İncelenen mezarlarda, Türk mezar taşı geleneğinde, üstü açık ya
da kapaklı, kenar taşları ile oluşturulmuş veya masif olarak yontulmuş sandık
tipleri ile şahideli, kademeli yapıların bir araya getirildiği bir tasarım
ortaya konmuştur. Yapısal kurgudaki serbestlik ve zayıf işçilik yörenin ve
mezarlığın konar-göçer topluluklara ait olmasına bağlı olmalıdır.